PROGRAM
String Quartet in G Minor Op. 74 No. 3 “Rider” Joseph Haydn
1. Allegro (1732-1809)
2. Largo assai
3. Menuetto, Allegretto
4. Finale. Allegro con brio
String Quartet No. 1 in G Major Florence Price
1. Allegro (1887-1953)
2. Andante moderato - Allegretto
Intermission
String Quartet No. 9 in E-flat Major, Op. 117 Dmitri Shostakovich
1. Moderato con moto (1906-1975)
2. Adagio
3. Allegretto
4. Adagio
5. Allegro
The Dover Quartet appears by arrangement with the Curtis Institute of Music, where it serves as the Penelope P. Watkins Ensemble in Residence.
Named one of the greatest string quartets of the last 100 years by BBC Music Magazine, the two-time GRAMMY-nominated Dover Quartet is one of the world’s most in-demand chamber ensembles. The Dover Quartet is the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music and holds additional residencies at Northwestern University and the Artosphere festival. The group’s awards include a stunning sweep of all prizes at the 2013 Banff International String Quartet Competition, grand and first prizes at the Fischoff Chamber Music Competition, and prizes at the Wigmore Hall International String Quartet Competition. Its honors include the prestigious Avery Fisher Career Grant, Chamber Music America’s Cleveland Quartet Award, and Lincoln Center’s Hunt Family Award.
The Dover Quartet’s 2023-24 season includes a North American tour with Leif Ove Andsnes, performances with Haochen Zhang and David Shifrin, and a tour to Europe and Israel. Recent collaborators include Emanuel Ax, Inon Barnaton, Ray Chen, the Escher String Quartet, Bridget Kibbey, Anthony McGill, Edgar Meyer, the Pavel Haas Quartet, Roomful of Teeth, and Davóne Tines. The quartet recently premiered Steven Mackey’s theatrical-musical work Memoir, and works by Mason Bates, Marc Neikrug, and Chris Rogerson.
The Dover Quartet’s GRAMMY-nominated recordings include its highly acclaimed three-volume recording, Beethoven Complete String Quartets (Cedille Records), which was hailed as “meticulously balanced, technically clean-as-a-whistle and intonationally immaculate” (The Strad), and The Schumann Quartets (Azica Records).
The Dover Quartet was formed at Curtis in 2008; its name pays tribute to Dover Beach by fellow Curtis alumnus Samuel Barber. The Dover Quartet proudly endorses Thomastik-Infeld strings.
Joel Link is a violinist with the Dover Quartet, the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music. Mr. Link is an active soloist and chamber musician; and has been a top prize winner of numerous competitions including the Johansen International Competition in Washington, D.C. and the Yehudi Menuhin International Violin Competition in England, for which he was featured in The Strad magazine. Mr. Link has appeared on numerous radio shows, including NPR’s From the Top.
A graduate of the Curtis Institute of Music, Mr. Link studied with renowned violinists Joseph Silverstein and Pamela Frank, and served as the Curtis Symphony Orchestra’s concertmaster for the 2009–10 season. He has attended music festivals across the globe, including the Ravinia Festival, the Marlboro Music Festival, and Music from Angel Fire. As a member of the Dover Quartet, Mr. Link won first prize and every special award at the Banff International String Quartet Competition in 2013 and the gold medal and grand prize in the Fischoff National Chamber Music Competition in 2010; and performs over 100 concerts around the world annually.
Mr. Link plays a very fine Peter Guarneri of Mantua violin kindly loaned to him by Irene R. Miller through the Beare’s International Violin Society.
Mr. Link joined the faculty of the Curtis Institute of Music in 2020. He also teaches at Northwestern University’s Bienen School of Music.
Bryan Lee is a violinist with the Dover Quartet, the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music. Mr. Lee has performed as a soloist with the Philadelphia Orchestra and the Delaware, Lansdowne, and Temple University symphony orchestras, among others. He was awarded the bronze medal at the 2005 Stulberg International String Competition and won second prize at the 2004 Kingsville Young Performers Competition. He has been featured on NPR’s From the Topand has attended Ravinia’s Steans Music Institute, La Jolla Music Society’s Summerfest, Music from Angel Fire, Encore School for Strings, Sarasota Music Festival, Music Academy of the West, and the Perlman Music Program.
Mr. Lee has served as associate concertmaster of Symphony in C and the Curtis Symphony Orchestra and as a substitute for the Philadelphia Orchestra. Mr. Lee is a graduate of the Curtis Institute of Music where he studied with Pamela Frank and Victor Danchenko. His previous studies were with Choong-Jin Chang and Soovin Kim. He performs on a 1904 Riccardo Antoniazzi.
Mr. Lee joined the faculty of the Curtis Institute of Music in 2020. He also teaches at Northwestern University’s Bienen School of Music.
Julianne Lee joins the Dover Quartet, the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music, as its violist in September 2023. She has forged a remarkable career as both a violinist and violist, frequently appearing as a soloist, chamber musician, and orchestral player. She holds the position of assistant principal second violinist at the Boston Symphony Orchestra and has been a member of the BSO violin section since 2006, serving as acting assistant concertmaster from 2013 to 2015. From 2017 to 2019, she was also the principal second violinist of the Atlanta Symphony Orchestra.
Ms. Lee has toured nationally and internationally with the Boston Symphony Orchestra, the Marlboro Music Festival, and the Australian Chamber Orchestra, where she held the title of guest principal violist. She also served as the second violinist of the Johannes String Quartet, an ensemble that performed commissioned works by Esa-Pekka Salonen, Derek Bermel, and William Bolcom. Throughout her illustrious career, she has performed as a soloist with orchestras in Germany, the United States, and South Korea and as a chamber musician at numerous music festivals, including the Santa Fe Chamber Music Festival, Chamber Music at the Banff Centre, Aspen Music Festival, and the Marlboro Music Festival.
She received her bachelor’s from Curtis in 2005, having studied both violin and viola, and a master’s degree from the New England Conservatory, where she double majored in violin and viola. Ms. Lee will join the chamber music faculty of the Curtis Institute of Music in fall 2023.
Camden Shaw is the cellist of the Dover Quartet, the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music. He has appeared with the ensemble in performances all over the world to great acclaim. Mr. Shaw has collaborated in chamber music with such renowned artists as Daniel Hope, Nadja Salerno-Sonnenberg, and the late Leon Fleischer, and maintains an active career as a soloist. Highlights from recent seasons include a performance of Beethoven’s Triple Concerto, Op. 56 with the Artosphere Festival Orchestra, where Shaw also holds the principal chair; and the release of his solo album by Unipheye Music, which was met with critical praise.
Mr. Shaw graduated from the Curtis Institute of Music in 2010, where he studied with Peter Wiley. Other major teachers include Norman Fischer, David Finckel, and Steven Isserlis. He performs on an instrument made in 2010 by Frank Ravatin.
Mr. Shaw joined the faculty of the Curtis Institute of Music in 2020. He also teaches at Northwestern University’s Bienen School of Music.
String Quartet in G Minor Op. 74 No. 3 “Rider” Joseph Haydn
1. Allegro (1732-1809)
2. Largo assai
3. Menuetto, Allegretto
4. Finale. Allegro con brio
String Quartet No. 1 in G Major Florence Price
1. Allegro (1887-1953)
2. Andante moderato - Allegretto
Intermission
String Quartet No. 9 in E-flat Major, Op. 117 Dmitri Shostakovich
1. Moderato con moto (1906-1975)
2. Adagio
3. Allegretto
4. Adagio
5. Allegro
The Dover Quartet appears by arrangement with the Curtis Institute of Music, where it serves as the Penelope P. Watkins Ensemble in Residence.
Named one of the greatest string quartets of the last 100 years by BBC Music Magazine, the two-time GRAMMY-nominated Dover Quartet is one of the world’s most in-demand chamber ensembles. The Dover Quartet is the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music and holds additional residencies at Northwestern University and the Artosphere festival. The group’s awards include a stunning sweep of all prizes at the 2013 Banff International String Quartet Competition, grand and first prizes at the Fischoff Chamber Music Competition, and prizes at the Wigmore Hall International String Quartet Competition. Its honors include the prestigious Avery Fisher Career Grant, Chamber Music America’s Cleveland Quartet Award, and Lincoln Center’s Hunt Family Award.
The Dover Quartet’s 2023-24 season includes a North American tour with Leif Ove Andsnes, performances with Haochen Zhang and David Shifrin, and a tour to Europe and Israel. Recent collaborators include Emanuel Ax, Inon Barnaton, Ray Chen, the Escher String Quartet, Bridget Kibbey, Anthony McGill, Edgar Meyer, the Pavel Haas Quartet, Roomful of Teeth, and Davóne Tines. The quartet recently premiered Steven Mackey’s theatrical-musical work Memoir, and works by Mason Bates, Marc Neikrug, and Chris Rogerson.
The Dover Quartet’s GRAMMY-nominated recordings include its highly acclaimed three-volume recording, Beethoven Complete String Quartets (Cedille Records), which was hailed as “meticulously balanced, technically clean-as-a-whistle and intonationally immaculate” (The Strad), and The Schumann Quartets (Azica Records).
The Dover Quartet was formed at Curtis in 2008; its name pays tribute to Dover Beach by fellow Curtis alumnus Samuel Barber. The Dover Quartet proudly endorses Thomastik-Infeld strings.
Joel Link is a violinist with the Dover Quartet, the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music. Mr. Link is an active soloist and chamber musician; and has been a top prize winner of numerous competitions including the Johansen International Competition in Washington, D.C. and the Yehudi Menuhin International Violin Competition in England, for which he was featured in The Strad magazine. Mr. Link has appeared on numerous radio shows, including NPR’s From the Top.
A graduate of the Curtis Institute of Music, Mr. Link studied with renowned violinists Joseph Silverstein and Pamela Frank, and served as the Curtis Symphony Orchestra’s concertmaster for the 2009–10 season. He has attended music festivals across the globe, including the Ravinia Festival, the Marlboro Music Festival, and Music from Angel Fire. As a member of the Dover Quartet, Mr. Link won first prize and every special award at the Banff International String Quartet Competition in 2013 and the gold medal and grand prize in the Fischoff National Chamber Music Competition in 2010; and performs over 100 concerts around the world annually.
Mr. Link plays a very fine Peter Guarneri of Mantua violin kindly loaned to him by Irene R. Miller through the Beare’s International Violin Society.
Mr. Link joined the faculty of the Curtis Institute of Music in 2020. He also teaches at Northwestern University’s Bienen School of Music.
Bryan Lee is a violinist with the Dover Quartet, the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music. Mr. Lee has performed as a soloist with the Philadelphia Orchestra and the Delaware, Lansdowne, and Temple University symphony orchestras, among others. He was awarded the bronze medal at the 2005 Stulberg International String Competition and won second prize at the 2004 Kingsville Young Performers Competition. He has been featured on NPR’s From the Topand has attended Ravinia’s Steans Music Institute, La Jolla Music Society’s Summerfest, Music from Angel Fire, Encore School for Strings, Sarasota Music Festival, Music Academy of the West, and the Perlman Music Program.
Mr. Lee has served as associate concertmaster of Symphony in C and the Curtis Symphony Orchestra and as a substitute for the Philadelphia Orchestra. Mr. Lee is a graduate of the Curtis Institute of Music where he studied with Pamela Frank and Victor Danchenko. His previous studies were with Choong-Jin Chang and Soovin Kim. He performs on a 1904 Riccardo Antoniazzi.
Mr. Lee joined the faculty of the Curtis Institute of Music in 2020. He also teaches at Northwestern University’s Bienen School of Music.
Julianne Lee joins the Dover Quartet, the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music, as its violist in September 2023. She has forged a remarkable career as both a violinist and violist, frequently appearing as a soloist, chamber musician, and orchestral player. She holds the position of assistant principal second violinist at the Boston Symphony Orchestra and has been a member of the BSO violin section since 2006, serving as acting assistant concertmaster from 2013 to 2015. From 2017 to 2019, she was also the principal second violinist of the Atlanta Symphony Orchestra.
Ms. Lee has toured nationally and internationally with the Boston Symphony Orchestra, the Marlboro Music Festival, and the Australian Chamber Orchestra, where she held the title of guest principal violist. She also served as the second violinist of the Johannes String Quartet, an ensemble that performed commissioned works by Esa-Pekka Salonen, Derek Bermel, and William Bolcom. Throughout her illustrious career, she has performed as a soloist with orchestras in Germany, the United States, and South Korea and as a chamber musician at numerous music festivals, including the Santa Fe Chamber Music Festival, Chamber Music at the Banff Centre, Aspen Music Festival, and the Marlboro Music Festival.
She received her bachelor’s from Curtis in 2005, having studied both violin and viola, and a master’s degree from the New England Conservatory, where she double majored in violin and viola. Ms. Lee will join the chamber music faculty of the Curtis Institute of Music in fall 2023.
Camden Shaw is the cellist of the Dover Quartet, the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music. He has appeared with the ensemble in performances all over the world to great acclaim. Mr. Shaw has collaborated in chamber music with such renowned artists as Daniel Hope, Nadja Salerno-Sonnenberg, and the late Leon Fleischer, and maintains an active career as a soloist. Highlights from recent seasons include a performance of Beethoven’s Triple Concerto, Op. 56 with the Artosphere Festival Orchestra, where Shaw also holds the principal chair; and the release of his solo album by Unipheye Music, which was met with critical praise.
Mr. Shaw graduated from the Curtis Institute of Music in 2010, where he studied with Peter Wiley. Other major teachers include Norman Fischer, David Finckel, and Steven Isserlis. He performs on an instrument made in 2010 by Frank Ravatin.
Mr. Shaw joined the faculty of the Curtis Institute of Music in 2020. He also teaches at Northwestern University’s Bienen School of Music.